Danica Maier, “Nesting Honeypot,” Drawing & installation, 2018, Photo credit Glen Stoker
Danica Maier, “Green Keys,” Spode assemblages as part of Topographies of the Obsolete, 2013, Photo credit Danica Maier
Danica Maier, “Nesting: Coffeeshop,” Drawing & installation, 2018, Photo credit Glen Stoker
Danica Maier, “Pink Acorn,” Installation, 2015, Photo credit Danica Maier
Danica Maier, “Nesting Pigeon & Blue Tit,” Drawing & installation, 2014–15, Photo credit Danica Maier
Danica Maier, “Fig Cup,” Drawing & installation, 2018, Photo credit Danica Maier
Danica Maier, “Pink Peregrine,” Spode assemblages as part of Topographies of the Obsolete: Vociferous Void, 2013, Photo credit Danica Maier
Danica Maier, “Bear Pit,” Spode assemblages as part of Topographies of the Obsolete, 2013, Photo credit Danica Maier
Danica Maier, “Attention Through Drawing/Drawing as a Looking Practice,” 2021, Photo credit Danica Maier
Danica Maier, “Looking the Wrong Way,” Spode assemblages as part of Topographies of the Obsolete: Vociferous Void, 2013, Photo credit Danica Maier
Danica Maier, “Looking the Wrong Way,” Spode assemblages as part of Topographies of the Obsolete: Vociferous Void, 2013, Photo credit Danica Maier
Danica Maier, “Old Lady,” Drawing & installation, 2016 & 2018, Photo credit Danica Maier
Danica Maier, “Manhole,” Drawing & installation, 2018, Photo credit Danica Maier
Danica Maier, “Pussy Willow Mountain,” Drawing & installation, 2016, Photo credit Danica Maier
Danica Maier, “Score,” Played live once daily on either a 20 note or 30 note music box, Drawing & installation, 2016 & 2018, Photo credit Danica Maier
Danica Maier, “Adopted Provenance – The Milky Way. Act of God,” Drawing, 2022, Photo credit Danica Maier