The book “An Introduction to the Phenomenology of Performance Art” by TJ Bacon has been published by Intellect recently in May, 2022. The book is a case study of important contemporary performers’ practices—including hancock & kelly—and it has an integrated approach to interrogating the experience and location of the self/s within the context of performance art practice. In its framing and execution of practical exercises and focused snapshots of internationally recognized performance practice, Bacon situates their argument within the boundaries of specialism in the critical curation of performance art praxis as well as contemporary phenomenological scholarship.
Introducing the study and application of performance art through phenomenology for radical artists, educators and practitioner-researchers; the book invites readers to take part, explore contemporary performance art and activate their own practices.
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, this study also guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’