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Traci Kelly and Rhiannon Jones’ collaborative practice presents writing as a dynamic visual and lived encounter in a manner particularly suited to a gallery context. The work exemplifies practice–as–research and is theoretically grounded in phenomenology, feminist and post feminist perspectives. It intentionally subverts and ruins the representation of writing in order to privilege the visceral and subjective production of the writerly. The momentum of the work… https://derby.openrepository.com/handle/10545/623457